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  • Way Huge Atreides Analog Weirding Module Pedal
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Way Huge Atreides Analog Weirding Module Pedal

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£209.00

This is the Way Huge Atreides Analog Weirding Module Pedal from Way, now available in the Guitar Pedals category on Guitars Pedals Amps and Stuff.. Read More below.

Description

What a weird pedal. And honestly, that's a great thing. The Way Huge Atreides is a synth/fuzz/sub octave/envelope filter/phase shifter pedal (yes, it does a lot) with its name and concept inspired by sci-fi novel Dune character Paul Atreides. In practice, the tonal characteristics are a heavy nod towards the 1980s Electro-Harmonix Mini Synthesiser keyboard, which was used most notably by Van Halen.

The all-slider interface is quite unique for a pedal this size and absolutely changes the way you approach the Atreiedes over other synth stompboxes. Way Huge have gone way big on the late '70s-into-'80s aesthetic in both style and sound.

Controls

There's loads of fuzz on tap and loads of old school space-y noises to explore. Things get wild with the Atreides if you push the settings to the max. 

Sense and range are the two controls altering the envelope filter and give you either compressed or open textures. Bright is akin to a standard tone control, and volume oversees the master volume. The fuzz in the Atreides is intense and gives you a vintage adaptation for modern experimental uses. Rate sets the phase shifter; there's also an option to tinker with the feedback control inside the pedal. Sub adds the sub octave for even greater presence with another internal trim pot to select either one or two octaves down.

Key Features

  • Inspired by 20th century sci-fi and EHX synth
  • Fuzz, sub octave, phase shifting and envelope filter effects
  • Sliders to adjust each parameter
  • Internal switch sets sub at one or two octaves down
  • Internal pot adjusts phaser feedback
  • Runs on 9V DC

About the manufacturer

Way

More info about this Product

Guitar Pedals

Guitar pedals are compact effects units that shape and enhance a guitar’s sound, sitting between the instrument and the amplifier. They include gain pedals like overdrive and distortion, modulation effects such as chorus and tremolo, time-based effects like delay and reverb, and essential utilities including tuners, compressors and loopers. Understanding basic things such as pedal type, signal order, power requirements and intended use helps players choose pedals that suit their style, setup and playing environment.

Specialist Effects Pedals

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Analogue

Analogue equipment uses continuous electrical signals rather than digital processing to shape and produce sound. In music gear, analogue circuits are found in pedals, amplifiers, and effects that rely on physical components such as transistors, valves, resistors, and capacitors.

Analogue sound is often described as warm, organic, and responsive, with natural saturation and subtle imperfections that react to playing dynamics. It is valued for its feel and character, particularly in overdrive, fuzz, modulation, and classic effects where musical interaction is more important than precision.

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