Fuzz is a type of guitar effect that produces a highly distorted and saturated tone characterized by its thick, buzzy, and aggressive sound. It’s achieved by clipping the guitar’s signal in a way that creates extreme distortion and compression, resulting in a velvety, sustaining fuzziness. Fuzz pedals typically feature controls for adjusting parameters such as gain (the amount of distortion), tone (the frequency response of the fuzzed signal), and volume (the output level). By manipulating these controls, guitarists can create a wide range of fuzz tones, from gritty and raw to smooth and singing. Fuzz is commonly used in genres such as rock, blues, and psychedelic music, where it adds texture, power, and intensity to guitar solos, riffs, and rhythm parts. Popular fuzz pedal models include the Electro-Harmonix Big Muff Pi, Dunlop Fuzz Face, and ZVex Fuzz Factory.
Guitar FX (effects) refer to the wide range of pedals and processors that shape and manipulate a guitar’s signal to create different sounds. From classic distortion and overdrive to reverb, delay, modulation, and pitch-shifting, effects are at the heart of a guitarist’s creative toolkit. Whether analogue or digital, stompbox or multi-effects unit, Guitar FX allow players to express mood, texture, and dynamics in unique ways. Used thoughtfully, they can transform a simple riff into something atmospheric, aggressive, or entirely otherworldly.
A pedal is a compact device that guitarists use to alter their instrument’s sound by shaping effects such as distortion, delay, reverb, and modulation. Typically housed in a rugged enclosure and controlled by footswitches, pedals are designed to be placed on the floor for hands-free operation during playing. They can be analogue or digital, true bypass or buffered, and come in countless varieties to suit different styles and preferences. Pedals are essential tools for creating signature tones and adding colour and texture to a guitarist’s sound.
We have new and used JHS musical equipment available on our website for fast direct delivery from sellers across the UK & Europe.
JHS Pedals was founded by Joshua Heath Scott in Jackson, Mississippi. He began by repairing and modifying his pedals and then sold modified pedals at the local guitar shop before designing his own. Among his early models were the Morning Glory overdrive and the Pulp ‘N’ Peel compressor. In 2009 Scott moved the company to Kansas City, Missouri, eventually expanding to 10 employees.JHS released the Panther analogue delay in 2011 and the SuperBolt overdrive and Prestige booster/buffer/enhancer in 2012.
JHS manufactures and sells pedals with a variety of effects, including the Morning Glory V4, the Muffuletta, the 3 Series, the Pulp’N’Peel V4, the Andy Timmons AT+, the Paul Gilbert PG-14, the Legends of Fuzz series, the Unicorn Univibe, the Lucky Cat, the Double Barrel V4, the 1966 Series and the Colour Box preamp.
£147.41
Feature1: 73 Tonebender Fuzz Effect Type: Fuzz Technology: Analog Special Features: switchable JHS MOD Mono / Stereo: Mono In, Mono Out
£34.99
A fazy sandwich combines three classic fuzz sounds. Fazy sandwich was born with a pure sound and excellent dynamic response. Each tone has a rich range of adjustments, with two knobs to control fuzz and tone. True bypass footswitch for keeping your tone crystal-clear. Working with 9V center negative regular pedal power supply.
£95.10
Made in Kansas City USA This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response This may be the most well…
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Authentic Fuzz Magic: Experience the unique, rich FUZZ tones of JIMI FUZZ, where every component works to create a mesmerizing sonic experience. 💡NOTE: This pedal can not take a battery, requires a DC 9V (100mA+) adapter with negative inside and positive outside to power but NOT included Versatile Control Trio: Tailor your sound with precision usin…
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Gives you the ability to take two inputs and blend them into one output Perfect for putting effects in parallel so that they are not affected by one another When you have a quarter note delay and a dotted eighth delay and you place them in parallel then sum them back together, the effect is that both delays come through more clearly and are not “de…
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