About the manufacturer

Landtone

Landtone is represented on GPAS by a broad range of affordable guitar-pedal products and pedal-building parts. The current selection includes delay, overdrive, distortion, fuzz, compressor, tremolo and reverb kits, alongside DPDT footswitches, A/B loopers, patch sockets and enclosures. Check whether a listing is a complete pedal, a kit or an individual component, then compare the included hardware, switching, enclosure, power requirements and build work involved.

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Guitar Effects Pedals

Guitar Pedals

Guitar pedals are compact effects units that shape and enhance a guitar’s sound, sitting between the instrument and the amplifier. They include gain pedals like overdrive and distortion, modulation effects such as chorus and tremolo, time-based effects like delay and reverb, and essential utilities including tuners, compressors and loopers. Understanding basic things such as pedal type, signal order, power requirements and intended use helps players choose pedals that suit their style, setup and playing environment.

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Distortion

Distortion pedals deliver the raw, aggressive edge that defines rock and metal, transforming your clean tone into something powerful and full of attitude. By pushing your signal into rich harmonic saturation, they create thick, sustaining sounds that cut through any mix. From classic crunchy riffs to high-gain modern mayhem, distortion pedals give you total control over how wild or tight your tone gets. Whether you’re crafting searing leads or heavy rhythm walls, they’re an essential tool for adding energy, bite, and character to your playing.

Guitar Pedal

Guitar pedals alter, route, control or support an instrument signal from the floor. The tag covers individual effects, multi-effects, switching, tuning, looping, amplification and pedalboard utilities. The product category and additional effect tags identify the specific job each pedal performs.

True Bypass

Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.